Raluca Ciornea
Mai multe idei de la Raluca
Reiki is both powerful and gentle. It is always beneficial and works to improve the effectiveness of all other types of therapy.

Reiki is both powerful and gentle. It is always beneficial and works to improve the effectiveness of all other types of therapy.

Egon Schiele. Estudio de manos.Egon Schiele - More Pins Like This At FOSTERGINGER @ Pinterest

Egon Schiele. Estudio de manos.Egon Schiele - More Pins Like This At FOSTERGINGER @ Pinterest

Jean-Honoré Fragonard (1732-1806), Le verrou / The lock © RMN-Grand Palais - Daniel Arnaudet

Jean-Honoré Fragonard (1732-1806), Le verrou / The lock © RMN-Grand Palais - Daniel Arnaudet

Jean-Honoré Fragonard (French, 1732–1806). The Love Letter, ca. 1770. The Metropolitan Museum of Art, New York. The Jules Bache Collection, 1949 (49.7.49) #letters #Connections

Jean-Honoré Fragonard (French, 1732–1806). The Love Letter, ca. 1770. The Metropolitan Museum of Art, New York. The Jules Bache Collection, 1949 (49.7.49) #letters #Connections

Les hasards heureux de l'escarpolette, Fragonard

Les hasards heureux de l'escarpolette, Fragonard

The Progress of Love : Love Letters - Jean-Honoré Fragonard (1732 - 1806) 1771-1772

The Progress of Love : Love Letters - Jean-Honoré Fragonard (1732 - 1806) 1771-1772

The Swing, also known as The Happy Accidents of the Swing is an 18th century oil painting by Jean-Honoré Fragonard. It is considered as one of the masterpieces of the rococo era.

The Swing, also known as The Happy Accidents of the Swing is an 18th century oil painting by Jean-Honoré Fragonard. It is considered as one of the masterpieces of the rococo era.

Sandro Botticelli (?) (1444/45-1510), Idealized Female Portrait (Portrait of Simonetta Vespucci as a Nymph), Poplar panel

Sandro Botticelli (?) (1444/45-1510), Idealized Female Portrait (Portrait of Simonetta Vespucci as a Nymph), Poplar panel

Sandro Boticcelli - Portrait de femme

Sandro Boticcelli - Portrait de femme

Madonna del Magnificat (detail), Botticelli, 1481

Madonna del Magnificat (detail), Botticelli, 1481