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Gangchen Tibetan Wool Area Rug: Classic Tibetan Floral (indigo) - A Rug For All Reasons

Moroccan Vintage Rugs Number 16282, Vintage Rugs | Woven Accents

Discover the history behind one of today's hottest design trends: Boucherouite Rugs From The Berber Tribes Of Morocco: Design Geek: Boucherouite Rugs

Lampas-woven textile with tulips, silk and silver lamella. Turkey; 2nd half of 16th century. Large, stylized tulips make it a fine example of the highly original and magnificent patterns that were designed in the Ottoman court studios. So much gold and silver thread was used for certain textiles that the sultans prohibited their production for periods, since they drained the reserves of precious metals.

Islamic textile w/gold & silver thread and tulip motif.Lampas-woven textile with tulips, silk and silver lamella Turkey; half of century, Ottoman Empire

Traditional Tibetan | Vermont Tibetan RugsVermont Tibetan Rugs #tibetan #culture

Gangchen Tibetan Wool Area Rug: Tibetan Sky (blue) - A Rug For All Reasons

Поиск новостей по запросу #картинки_золотоеяблоко

Поиск новостей по запросу #картинки_золотоеяблоко

Gangchen Tibetan Handmade Wool Rug

Healing Botanical (plum)

Ganchen Tibetan Wool Area Rug - Healing Botanical (plum) - A Rug For All Reasons

La Maison Boheme: Magic Carpets

Silk Ethos New Arrivals oriental rugs runner rugs outdoor rugs bath rugs antiques rugs kitchen rugs bathroom rugs round rugs modern rugs carpets NYC - ABC Carpet Home

ORIENTAL CARPETS | Click for High Resolution Image of Antique Chinese Oriental Rugs 44152

View this beautiful Antique Chinese Oriental Rugs 44152 from Nazmiyal's fine antique rugs and decorative carpet collection.

Caucasian Kazak Memling Gul, 4ft 6in x 8ft 7in, 3rd Quarter, 19th Century.  This visually stunning, highly collectible piece exemplifies the Caucasian weavers’ love of infusing a seemingly regular design with frequent elements of surprise and an unabashed use of asymmetry.

Antique Oriental Rug - Kazak Persian Carpet This visually stunning, highly collectible piece exemplifies the Caucasian weavers’ love of infusing a seemingly regular design with frequent elements of surprise and an unabashed use of asymmetry.

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