Arta contemporană

Collection by Ora de desen

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de pe https://www.khanacademy.org/humanities/art-history după: Dr. Beth Harris and Dr. Steven Zucker, "Required works of art for AP Art History," in Smarthistory, January 25, 2017, accessed July 6, 2019, https://smarthistory.org/required-works-of-art-for-ap-art-history/.

Ora de desen
Arta conceptuală și performance art
Young British Artist's
Other Pins

Arta conceptuală și performance art

Nam June Paik, Electronic Superhighway: Continental U.S., Alaska, Hawaii, 1995, fifty-one channel video installation (including one closed-circuit television feed), custom electronics, neon lighting, steel and wood; color, sound, approx. 15 x 40 x 4 feet (Smithsonian American Art Museum) © Nam June Paik Estate

Nam June Paik, Electronic Superhighway: Continental U.S., Alaska, Hawaii, 1995, fifty-one channel video installation (including one closed-circuit television feed), custom electronics, neon lighting, steel and wood; color, sound, approx. 15 x 40 x 4 feet (Smithsonian American Art Museum) © Nam June Paik Estate

Marina Abramović sitting with Rebecca Taylor at The Artist is Present performance at The Museum of Modern Art, 2010

Marina Abramović sitting with Rebecca Taylor at The Artist is Present performance at The Museum of Modern Art, 2010

Bill Viola, The Crossing, 1996, video/sound © Bill Viola (photo: stunned, CC BY-NC-SA 2.0)

Bill Viola, The Crossing, 1996, video/sound © Bill Viola (photo: stunned, CC BY-NC-SA 2.0)

John Baldessari, I Will Not Make Any More Boring Art, 1971, lithograph, 57 x 76.4 cm (The Museum of Modern Art) © John Baldessari, courtesy of the artist

John Baldessari, I Will Not Make Any More Boring Art, 1971, lithograph, 57 x 76.4 cm (The Museum of Modern Art) © John Baldessari, courtesy of the artist

Joseph Kosuth, One and Three Chairs, 1965, wood folding chair, mounted photograph of a chair, and mounted photographic enlargement of the dictionary definition of “chair” (MoMA)

Joseph Kosuth, One and Three Chairs, 1965, wood folding chair, mounted photograph of a chair, and mounted photographic enlargement of the dictionary definition of “chair” (MoMA)

Joseph Beuys, Fat Chair, 1964-1985, wood, glass, metal, fabric, paint, fat and thermometer, 183 x 155 x 64 cm (Tate Modern)

Joseph Beuys, Fat Chair, 1964-1985, wood, glass, metal, fabric, paint, fat and thermometer, 183 x 155 x 64 cm (Tate Modern)

Martha Rosler, Cleaning the Drapes from the series House Beautiful: Bringing the War Home, c. 1967-72, pigmented ink jet print (photomontage), 44 x 60.3 cm (The Museum of Modern Art)

Martha Rosler, Cleaning the Drapes from the series House Beautiful: Bringing the War Home, c. 1967-72, pigmented ink jet print (photomontage), 44 x 60.3 cm (The Museum of Modern Art)

Young British Artist's

Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living, 1991, glass, painted steel, silicone, monofilament, shark and formaldehyde solution (private collection) at Sensation: Young British Artists from the Saatchi Collection, the Brooklyn Museum, October 02, 1999 -January 09, 2000

Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living, 1991, glass, painted steel, silicone, monofilament, shark and formaldehyde solution (private collection) at Sensation: Young British Artists from the Saatchi Collection, the Brooklyn Museum, October 02, 1999 -January 09, 2000

Other Pins

Interior de biserică by Horia Bernea

Interior de biserică by HoriaBernea

View Interior de biserică by Horia Bernea on artnet. Browse upcoming and past auction lots by Horia Bernea.

Yinka Shonibare MBE, The Swing (After Fragonard), 2001 (Tate, London) © Yinka Shonibare

Yinka Shonibare MBE, The Swing (After Fragonard), 2001 (Tate, London) © Yinka Shonibare

Frank Gehry, Guggenheim Museum Bilbao (exterior detail), 1993-97, titanium, limestone, glass, steel (photo: josu.orbe, CC BY-NC 2.0)

Frank Gehry, Guggenheim Museum Bilbao (exterior detail), 1993-97, titanium, limestone, glass, steel (photo: josu.orbe, CC BY-NC 2.0)

Jeff Koons, Pink Panther, 1988, glazed porcelain, 104.1 x 52 x 48.2 cm (The Museum of Modern Art) (photo: LP, CC BY-NC-ND 2.0)

Jeff Koons, Pink Panther, 1988, glazed porcelain, 104.1 x 52 x 48.2 cm (The Museum of Modern Art) (photo: LP, CC BY-NC-ND 2.0)

Keith Haring, Untitled, 1984, chalk on paper, 88 1 /2 x 46 inches, photographer: Ivan Dalla Rana © Keith Haring Foundation

Keith Haring, Untitled, 1984, chalk on paper, 88 1 /2 x 46 inches, photographer: Ivan Dalla Rana © Keith Haring Foundation

Jean-Michel Basquiat, Horn Players, 1983, acrylic and oilstick on three canvas panels mounted on wood supports, 243.8 x 190.5 cm (The Broad Art Foundation) © The Estate of Jean-Michel Basquiat (zoomable image here)

Jean-Michel Basquiat, Horn Players, 1983, acrylic and oilstick on three canvas panels mounted on wood supports, 243.8 x 190.5 cm (The Broad Art Foundation) © The Estate of Jean-Michel Basquiat (zoomable image here)

Eleanor Antin, Carving: A Traditional Sculpture, 1972, 148 gelatin silver prints and text panels, each photograph 17.7 x 12.7 cm (The Art Institute of Chicago)

Eleanor Antin, Carving: A Traditional Sculpture, 1972, 148 gelatin silver prints and text panels, each photograph 17.7 x 12.7 cm (The Art Institute of Chicago)

Bruce Nauman, The True Artist Helps the World by Revealing Mystic Truths, 1967, neon and clear glass tubing suspension supports; 149.86 x 139.7 x 5.08 cm (Philadelphia Museum of Art) (photo: Giulia van Pelt, CC BY-NC-ND 2.0)

Bruce Nauman, The True Artist Helps the World by Revealing Mystic Truths, 1967, neon and clear glass tubing suspension supports; 149.86 x 139.7 x 5.08 cm (Philadelphia Museum of Art) (photo: Giulia van Pelt, CC BY-NC-ND 2.0)

Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living, 1991, glass, painted steel, silicone, monofilament, shark and formaldehyde solution (private collection) at Sensation: Young British Artists from the Saatchi Collection, the Brooklyn Museum, October 02, 1999 -January 09, 2000

Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living, 1991, glass, painted steel, silicone, monofilament, shark and formaldehyde solution (private collection) at Sensation: Young British Artists from the Saatchi Collection, the Brooklyn Museum, October 02, 1999 -January 09, 2000

Nam June Paik, Electronic Superhighway: Continental U.S., Alaska, Hawaii, 1995, fifty-one channel video installation (including one closed-circuit television feed), custom electronics, neon lighting, steel and wood; color, sound, approx. 15 x 40 x 4 feet (Smithsonian American Art Museum) © Nam June Paik Estate

Nam June Paik, Electronic Superhighway: Continental U.S., Alaska, Hawaii, 1995, fifty-one channel video installation (including one closed-circuit television feed), custom electronics, neon lighting, steel and wood; color, sound, approx. 15 x 40 x 4 feet (Smithsonian American Art Museum) © Nam June Paik Estate

Marina Abramović sitting with Rebecca Taylor at The Artist is Present performance at The Museum of Modern Art, 2010

Marina Abramović sitting with Rebecca Taylor at The Artist is Present performance at The Museum of Modern Art, 2010

Bill Viola, The Crossing, 1996, video/sound © Bill Viola (photo: stunned, CC BY-NC-SA 2.0)

Bill Viola, The Crossing, 1996, video/sound © Bill Viola (photo: stunned, CC BY-NC-SA 2.0)

John Baldessari, I Will Not Make Any More Boring Art, 1971, lithograph, 57 x 76.4 cm (The Museum of Modern Art) © John Baldessari, courtesy of the artist

John Baldessari, I Will Not Make Any More Boring Art, 1971, lithograph, 57 x 76.4 cm (The Museum of Modern Art) © John Baldessari, courtesy of the artist

Joseph Kosuth, One and Three Chairs, 1965, wood folding chair, mounted photograph of a chair, and mounted photographic enlargement of the dictionary definition of “chair” (MoMA)

Joseph Kosuth, One and Three Chairs, 1965, wood folding chair, mounted photograph of a chair, and mounted photographic enlargement of the dictionary definition of “chair” (MoMA)

Joseph Beuys, Fat Chair, 1964-1985, wood, glass, metal, fabric, paint, fat and thermometer, 183 x 155 x 64 cm (Tate Modern)

Joseph Beuys, Fat Chair, 1964-1985, wood, glass, metal, fabric, paint, fat and thermometer, 183 x 155 x 64 cm (Tate Modern)

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