Portrait of a Woman, http://www.saatchiart.com/art/Painting-Portrait-of-a-Woman/43191/2091495/view

Portrait of a Woman

Saatchi Art: Portrait of a Woman Painting by Maia S Oprea

Mens Rea, In criminal law, mens rea -- the Latin term for "guilty mind"[1] -- is usually one of the necessary elements of a crime. The standard common law test of criminal liability is usually expressed in the Latin phrase, actus non facit reum nisi mens sit rea, which means that "the act does not make a person guilty unless the mind is also guilty"

Mens Rea, In criminal law, mens rea -- the Latin term for "guilty mind"[1] -- is usually one of the necessary elements of a crime. The standard common law test of criminal liability is usually expressed in the Latin phrase, actus non facit reum nisi mens sit rea, which means that "the act does not make a person guilty unless the mind is also guilty"

Exchange, 42 x 29 cm, acrylic on paper, available on http://www.saatchiart.com/art/Painting-Exchange/43191/2180221/view

Exchange

Saatchi Art: Exchange Painting by Maia S Oprea

4 in Derive, this artwork is part of my "Dust" series of works, http://www.saatchiart.com/art/Painting-4-in-Derive/43191/2114126/view

4 in Derive

Saatchi Art: 4 in Derive Painting by Maia S Oprea

The Kiss, part of my "Dust" series of works, which can be seen at http://www.maiaoprea.ro/ro/proiecte/trecut/tarana

The Kiss

Saatchi Art Artist Maia S Oprea; Painting, "MEIRA I" #art #painting #acrylic www.maia-fine-art.com

Meira i

Saatchi Art Artist Maia S Oprea; Painting, "MEIRA I" #art #painting #acrylic www.maia-fine-art.com

Dustography III, http://www.saatchiart.com/art/Painting-Dustography-III/43191/2360106/view

Dustography III

Saatchi Art: Dustography III Painting by Maia S Oprea

Rupture XVI, oil and tempera on hardboard,“Perhaps it is enough to say (…) that loss, death and what deadens are too much with us, and that to feel the painting’s impression on our skin is finally to receive the tactile at the limits of the visual – a triumph for what lives on despite the odds.” (Judith Butler, Response to J.M.Bernstein, pag.62)  @saatchiart

Rupture XVI

Rupture XVI, oil and tempera on hardboard,“Perhaps it is enough to say (…) that loss, death and what deadens are too much with us, and that to feel the painting’s impression on our skin is finally to receive the tactile at the limits of the visual – a triumph for what lives on despite the odds.” (Judith Butler, Response to J.M.Bernstein, pag.62) @saatchiart

RUPTURE XIV, oil and collage on hardboard> This artwork is part of my seris of ‘Ruptures’. Bodies that could be identical with the flow of lines inscribing them. I was looking for a sort of overalness, a devisualisation of colour and de-forming of line.  @saatchiart

Rupture xiv

RUPTURE XIV, oil and collage on hardboard> This artwork is part of my seris of ‘Ruptures’. Bodies that could be identical with the flow of lines inscribing them. I was looking for a sort of overalness, a devisualisation of colour and de-forming of line.

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