Portrait of a Woman, http://www.saatchiart.com/art/Painting-Portrait-of-a-Woman/43191/2091495/view

Portrait of a Woman

Mens Rea, In criminal law, mens rea -- the Latin term for "guilty mind"[1] -- is usually one of the necessary elements of a crime. The standard common law test of criminal liability is usually expressed in the Latin phrase, actus non facit reum nisi mens sit rea, which means that "the act does not make a person guilty unless the mind is also guilty"

Mens Rea, In criminal law, mens rea -- the Latin term for "guilty mind"[1] -- is usually one of the necessary elements of a crime. The standard common law test of criminal liability is usually expressed in the Latin phrase, actus non facit reum nisi mens sit rea, which means that "the act does not make a person guilty unless the mind is also guilty"

The Kiss, part of my "Dust" series of works, which can be seen at http://www.maiaoprea.ro/ro/proiecte/trecut/tarana

The Kiss

Maia S. Oprea — The Kiss, Painting: acrylic on paper.

Saatchi Art Artist Maia S Oprea; Painting, "MEIRA I" #art #painting #acrylic www.maia-fine-art.com

Meira i

Saatchi Art Artist Maia S Oprea; Painting, "MEIRA I" #art #painting #acrylic www.maia-fine-art.com

Dustography III, http://www.saatchiart.com/art/Painting-Dustography-III/43191/2360106/view

Dustography III

THINGS AND FIGURES, - Maia Stefana Oprea, acrylic on canvas, 2012 @saatchiart  http://www.saatchiart.com/art/Painting-THINGS-AND-FIGURES/43191/2251288/view

Things and figures

Rupture XVI, oil and tempera on hardboard,“Perhaps it is enough to say (…) that loss, death and what deadens are too much with us, and that to feel the painting’s impression on our skin is finally to receive the tactile at the limits of the visual – a triumph for what lives on despite the odds.” (Judith Butler, Response to J.M.Bernstein, pag.62)  @saatchiart

Rupture XVI

Rupture XVI, oil and tempera on hardboard,“Perhaps it is enough to say (…) that loss, death and what deadens are too much with us, and that to feel the painting’s impression on our skin is finally to receive the tactile at the limits of the visual – a triumph for what lives on despite the odds.” (Judith Butler, Response to J.M.Bernstein, pag.62) @saatchiart

RUPTURE XIV, oil and collage on hardboard> This artwork is part of my seris of ‘Ruptures’. Bodies that could be identical with the flow of lines inscribing them. I was looking for a sort of overalness, a devisualisation of colour and de-forming of line.  @saatchiart

Rupture xiv

RUPTURE XIV, oil and collage on hardboard> This artwork is part of my seris of ‘Ruptures’. Bodies that could be identical with the flow of lines inscribing them. I was looking for a sort of overalness, a devisualisation of colour and de-forming of line.

Rupture XIII, acrylic and tempera on paper, 2011> "Perhaps it is enough to say (...) that loss, death and what deadens are too much with us, and that to feel the painting's impression on our skin is finally to receive the tactile at the limits of the visual - a triumph for what lives on despite the odds." @saatchiart http://www.saatchiart.com/art/Collage-Rupture-XIII/43191/2241055/view

Rupture XIII

Rupture XIII, acrylic and tempera on paper, 2011> "Perhaps it is enough to say (...) that loss, death and what deadens are too much with us, and that to feel the painting's impression on our skin is finally to receive the tactile at the limits of the visual - a triumph for what lives on despite the odds." @saatchiart http://www.saatchiart.com/art/Collage-Rupture-XIII/43191/2241055/view

GEOMINA 5, collage on hardboard, for sale at http://www.saatchiart.com/art/Collage-GEOMINA-5/43191/2108460/view #saatchi

Geomina 5

GEOMINA 5, collage on hardboard, for sale at http://www.saatchiart.com/art/Collage-GEOMINA-5/43191/2108460/view #saatchi

Saatchi Art Artist Maia S Oprea; Painting, "TRANS / FIGURATION" #art

Saatchi Art Artist Maia S Oprea; Painting, "TRANS / FIGURATION" #art

Saatchi Art Artist Maia S Oprea; Painting, "A Dog's Topography III" #art The third in the series, "A Dog's Topography" describes an instance of the relation between humans and animals, between myself and my dog. There is no void. There is no fullness. But there is a new substance which composes itself and decomposes, being reducible to the inner image, whose form is strictly its realisation. Every time another one. With surrender, with omissions, with economy of forms.#painting #black #dog

A Dog's Topography III

Saatchi Art Artist Maia S Oprea; Painting, "A Dog's Topography III" #art The third in the series, "A Dog's Topography" describes an instance of the relation between humans and animals, between myself and my dog. There is no void. There is no fullness. But there is a new substance which composes itself and decomposes, being reducible to the inner image, whose form is strictly its realisation. Every time another one. With surrender, with omissions, with economy of forms.#painting #black #dog

illustrating "Berlin Poplars" by Anne Ragde, more on http://maiastefanaoprea.wordpress.com

Berlin Poplars

illustrating "Berlin Poplars" by Anne Ragde, more on http://maiastefanaoprea.wordpress.com

illustrating YOUTH - by J.M Coetzee, more on http://maiastefanaoprea.wordpress.com

YOUTH – by J.M Coetzee

illustrating YOUTH - by J.M Coetzee, more on http://maiastefanaoprea.wordpress.com

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