Ragamala paintings

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Medieval India, Indian Miniature Paintings, Mughal Miniature Paintings, Mughal Miniature, Indian Traditional Paintings, Indian Miniature, India Painting, South Asian Art, Mughal Paintings

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Rajasthan Miniature Painting, Ragamala Paintings, Old Indian Paintings, Rajasthan Painting, Indian Miniature Paintings, Mughal Miniature Paintings, Mughal Miniature, Persian Painting, Rajasthani Art

<p>gouache&nbsp;heightened with gold on paper,&nbsp;gold and yellow borders with black rules, gold&nbsp;painted margins</p><p><br></p><p>painting: 24.2 by 14

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Indian Miniature Paintings: Ragamala Paintings from the Bibliotheque Nationale de France Old Art Gallery, Hinduism Gods, Persian Miniature Painting, Indian Miniature Paintings, Mughal Miniature Paintings, Mughal Miniature, Indian Traditional Paintings, Desi Art, Corpus Museum

Ragamala painting is a particular genre of Indian miniature painting, mainly from the 16th and 17th centuries. Ragamala means 'garland of ragas'. A raga is a particular mood, colour, season, time of day, or emotional state. A ragamala painting evokes one of these ragas in pictorial form. There are six main 'parent' ragas, corresponding to the six Indian seasons: summer, monsoon, autumn, early winter, winter and spring. Each of the male parent ragas has five 'wives' (ragini), and eight 'sons'…

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Todi Ragini, Second Wife of Hindol Raga, Folio from a Ragamala (Garland of Melodies) | LACMA Collections Ragamala Paintings, Lalita Sakhi, Transcendental Art, Indian Trees, Painting Of Krishna, Indian Miniatures, Medieval India, Indian Miniature Paintings, Desi Art

Todi Ragini, Second Wife of Hindol Raga, Folio from a Ragamala (Garland of Melodies), Unknown, India, Madhya Pradesh, Raghogarh, circa 1775-1800, Drawings, Opaque watercolor and gold on paper, Todi Ragini is the second wife of Hindola Raga in the predominant ragamala (garland of melodies) classification system generally known as the Rajasthani system.

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classic seventeenth-century Malwa school painting, one of the earliest and historically most important Rajput schools. At Mandu, the capital of Malwa, miniature painting can be traced back to the fifteenth century, when it developed as a variant of the Jain style of western India. By the seventeenth century, however, this purely Malwa style had evolved. Simple geometric compositions predominate, and colors are bold and highly symbolic, while naturalism and volume are negated. Medieval India, Indian Miniature Paintings, Mughal Miniature, Indian Miniature, Educational Platform, Southeast Asian Arts, Material Research, Mughal Paintings, Persian Miniature

These two leaves are classic seventeenth-century Malwa school paintings, one of the earliest and historically most important Rajput schools. At Mandu, the capital of Malwa, miniature painting can be traced back to the fifteenth century, when it developed as a variant of the Jain style of western India. By the seventeenth century, however, this purely Malwa style had evolved. Simple geometric compositions predominate, and colors are bold and highly symbolic, while naturalism and volume are…

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