American photography

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“This photograph could be the opening line of a joke: ‘So, a girl rides up to a bar on a horse...’” says Joel Meyerowitz. “But really what happened was that I was there getting some ice cream for my kids when this girl rode up to the window on her horse and ordered two lobster rolls and some fries; as soon as I saw the girl, the horse, and the ice cream sign, I saw the photograph.” Alec Soth, Mary Ellen Mark, Joel Meyerowitz, Cooper Union, Stephen Shore, Night Walkers, Nan Goldin, Edward Weston, Steve Mccurry

“This photograph could be the opening line of a joke: ‘So, a girl rides up to a bar on a horse...’” says Joel Meyerowitz. “But really what happened was that I was there getting some ice cream for my kids when this girl rode up to the window on her horse and ordered two lobster rolls and some fries; as soon as I saw the girl, the horse, and the ice cream sign, I saw the photograph.”

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From 1972-1979, a 30-something Stephen Shore traversed the United States by road, stopping along the way to set up his tripod and 8x10 camera. When he got tired over long drives, he recited Shakespeare to himself, often adopting the role of Hamlet as he made his way from one in-between place—a parking lot, a crossroads—to the next. Color In Art, Shore Photography, Helen Levitt, Joel Meyerowitz, New Topographics, Stephen Shore, Saul Leiter, Walker Evans, Famous Pictures

From 1972-1979, a 30-something Stephen Shore traversed the United States by road, stopping along the way to set up his tripod and 8x10 camera. When he got tired over long drives, he recited Shakespeare to himself, often adopting the role of Hamlet as he made his way from one in-between place—a parking lot, a crossroads—to the next.

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