What I liked most about “Eraser” was that it wasn’t hard to sit through and that it had that 90s action sound that I really love

What I liked most about “Eraser” was that it wasn’t hard to sit through and that it had that action sound that I really love

There’s never a dull moment in “Father of the bride”.

Father Of The Bride (Music from the Motion Picture)

Soundtrack review: Trishna (Shigeru Umebayashi – 2015)

Soundtrack review: Trishna (Shigeru Umebayashi – 2015)

“Predator” is the kind of score I could never get bored with.

Movie Suites are symphonic tributes to the motion picture soundtrack and the respective composer.

“Contact” was a very unsatisfying listen to me. I had high hopes and expectations and got a very lackluster composition…

Contact - What is out there?

Soundtrack review: Southpaw (James Horner – 2015)

James Horner – Southpaw (Original Motion Picture Soundtrack) [iTunes Plus AAC

I think I didn’t believe the score and that’s why I couldn’t connect with it.

I think I didn’t believe the score and that’s why I couldn’t connect with it.

This promo score leaves me with a very pleasant feeling inside, and with “What the tide could bring” still ringing in my ears…

This promo score leaves me with a very pleasant feeling inside, and with “What the tide could bring” still ringing in my ears…

Soundtrack review: Judgment night (Alan Silvestri – 1993)

Judgment Night Music by Alan Silvestri

“Night at the museum: Secret of the tomb” completes a satisfactory and fun trilogy

Directed by Shawn Levy. With Ben Stiller, Robin Williams, Owen Wilson, Dick Van Dyke. Larry spans the globe, uniting favorite and new characters while embarking on an epic quest to save the magic before it is gone forever.

It’s not a score I will listen to often, it’s one of those “in the moment” scores

NIGHT AT THE MUSEUM - A good-hearted but bumbling security guard at the Museum of Natural History accidentally trips an ancient curse which causes the animals and gigantic insects on display to come to life, causing havoc in the city.

It’s a good thing that the “End credits” finally sounded like a proper western  theme and salvaged some of the last impression.

It’s a good thing that the “End credits” finally sounded like a proper western theme and salvaged some of the last impression.

Before I started Alan Silvestri month, it was my favorite score from him and it things might not change once I am done with this Silvestri marathon.

Before I started Alan Silvestri month, it was my favorite score from him and it things might not change once I am done with this Silvestri marathon.

But overall I didn’t find anything in “Identity” that I’d want to listen to again.

But overall I didn’t find anything in “Identity” that I’d want to listen to again.

“Overboard” goes right in the 80s magic vault with “Tango and Cash” or other similar scores

Have you seen the movie Overboard? Record whether or not you have watched the movie Overboard (Pige overbord)

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