De Kooning, Black Friday, 1948. Oil and enamel on pressed wood panel, 49 3/16 x 29 inches. University Art Museum, Princeton, NJ.

Willem de Kooning, Black Friday, 1948 Oil and enamel on pressed wood panel, x 39 inches

Willem de Kooning studio in East Hampton, Archetectual Digest, 1983

Incríveis espaços de trabalho para artistas

Willem de Kooning studio in East Hampton, last photo includes Elaine de Kooning Architectural Digest, 1983

Palisade, Willem de Kooning

Willem de Kooning/ Abstract Expressionism/ Dynamic and strongly textured, extreme application, non-objective/ This paint uses rough strokes and contract color. It has no recognizable images.

Woman I by Willem de Kooning, Painted in 1952  When interviewed by a journalist he was asked how he felt about the fact that other painters were copying his work. he said" They don't have to paint the ugly ones."

Willem de Kooning - Woman - 1950 - The Metropolitan Museum of Art, New York De Kooning's abstract expression of both delineated and inchoate femininity, Woman

Montauk Highway, 1958  Willem de Kooning  Oil and combined media on heavy paper mounted on canvas  The Netherlands, 1904-1997, active  United States

Montauk Highway, 1958 Willem de Kooning Oil and combined media on heavy paper mounted on canvas The Netherlands, active United States // PROPORTIONS Mais

Untitled, 1950 Elaine de Kooning (1918-1989) was a student and later the wife of Willem de Kooning, Elaine de Kooning was an Abstract Expressionist, Figurative Expressionist painter in the post-World War II era and editorial associate for Art News magazine.

Untitled, 1950 Elaine de Kooning was a student and later the wife of Willem de Kooning, Elaine de Kooning was an Abstract Expressionist, Figurative Expressionist painter in the post-World War II era and editorial associate for Art News magazine.

Willem de Kooning (1904-1997)

Willem de Kooning Woman (Blue Eyes) oil, enamel, and charcoal on two sheets of paper laid down on canvas 28 x 20 in.

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