Madeleine vionnet

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Court presentation gown, 1938, Vionnet.  Grey silk chiffon with rhinestones and silver beads.  FIT Chic Chicago exhibit.

Court presentation gown, 1938, Vionnet. Grey silk chiffon with rhinestones and silver beads. FIT Chic Chicago exhibit.

Short dress, Madeleine Vionnet, 1927. Silk crepe in a straight shape, round neckline, sleeveless. Bodice and skirt are finely pleated vertically; yoke is finely pleated horizontally. Musée Galliera, Musée de la Mode de la Ville de Paris

Short dress, Madeleine Vionnet, 1927. Silk crepe in a straight shape, round neckline, sleeveless. Bodice and skirt are finely pleated vertically; yoke is finely pleated horizontally. Musée Galliera, Musée de la Mode de la Ville de Paris

Vionnet Dress - SS 1938 - by Madeleine Vionnet (French, 1876-1975) - Rayon - @~ Watsonette

Vionnet Dress - SS 1938 - by Madeleine Vionnet (French, 1876-1975) - Rayon - @~ Watsonette

Evening Dress, Madeleine Vionnet (Paris, France): ca. 1930, silk jersey, jewelled straps.

Evening Dress, Madeleine Vionnet (Paris, France): ca. 1930, silk jersey, jewelled straps.

Dress, Evening  Madeleine Vionnet  (French, Chilleurs-aux-Bois 1876–1975 Paris)  Date: spring/summer 1937

Dress, Evening Madeleine Vionnet (French, Chilleurs-aux-Bois 1876–1975 Paris) Date: spring/summer 1937

Red and Black Evening Dress, Madeleine Vionnet, French, 1933-37, The Metropolitan Museum of Art, New York

Red and Black Evening Dress, Madeleine Vionnet, French, 1933-37, The Metropolitan Museum of Art, New York

Madeleine Vionnet. Photo Man Ray 1937 for Vanity Fair

Madeleine Vionnet. Photo Man Ray 1937 for Vanity Fair

Vionnet Dress - c- 1933 - by Madeleine Vionnet, France - Black rayon jersey one-piece dress; vermillion silk crepe sash; bias cut -

Vionnet Dress - c- 1933 - by Madeleine Vionnet, France - Black rayon jersey one-piece dress; vermillion silk crepe sash; bias cut -

Detail of the Madeleine Vionnet evening gown.  In 1918 Vionnet hired Marie-Louise Favot. As a dressmaker and trained artist, Favot  designed all of Vionnet's embroidery motifs. Though the motifs were designed in-house, the actual work was contracted out to Michonet, a Parisian embroidery firm founded in 1858. Michonet was later  bought by Albert Lesage.

Detail of the Madeleine Vionnet evening gown. In 1918 Vionnet hired Marie-Louise Favot. As a dressmaker and trained artist, Favot designed all of Vionnet's embroidery motifs. Though the motifs were designed in-house, the actual work was contracted out to Michonet, a Parisian embroidery firm founded in 1858. Michonet was later bought by Albert Lesage.

1930s transparancies

1930s transparancies

Evening dress Madeleine Vionnet Date: ca. 1936 Culture: French Medium: silk Accession Number: 1978.278.3a, back view

Evening dress Madeleine Vionnet Date: ca. 1936 Culture: French Medium: silk Accession Number: 1978.278.3a, back view

The artistry of Madeleine Vionnet.

The artistry of Madeleine Vionnet.

1938 metal thread Dress by Madeleine Vionnet, French. Via MMA.

1938 metal thread Dress by Madeleine Vionnet, French. Via MMA.

Madeline Vionnet: French fashion designer who wasn't successful until after the War in the 1920s, when she became a part of haute couture; known for her creation of the bias cut, which was a diagonal cut of fabric so that it had greater stretch and accentuated the curves of the body

Madeline Vionnet: French fashion designer who wasn't successful until after the War in the 1920s, when she became a part of haute couture; known for her creation of the bias cut, which was a diagonal cut of fabric so that it had greater stretch and accentuated the curves of the body

Madeleine Vionnet

Madeleine Vionnet (1876-1975)

Madeleine Vionnet

Madeleine Vionnet Dress c.1932 // Costume Institute MMA C.I.61.3.2 // Materials: Cream silk crepe // Credit: Gift of Diana Vreeland

Madeleine Vionnet Dress c.1932 // Costume Institute MMA C.I.61.3.2 // Materials: Cream silk crepe // Credit: Gift of Diana Vreeland

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