Louise nevelson

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Sky Cathedral |  Louise Nevelson, MoMA

Sky Cathedral | Louise Nevelson, MoMA

artist Louise Nevelson. Captured here by Richard Avedon in 1975, her accessories reflect her monochromatic wooden structures.

artist Louise Nevelson. Captured here by Richard Avedon in 1975, her accessories reflect her monochromatic wooden structures.

Louise Nevelson, Royal Tide I, 1960, painted wood, 86 x 40 x 8 inches

Louise Nevelson, Royal Tide I, 1960, painted wood, 86 x 40 x 8 inches

Louise Nevelson, Mirror Shadow XXXIX  Art Experience NYC  www.artexperiencenyc.com

Louise Nevelson, Mirror Shadow XXXIX Art Experience NYC www.artexperiencenyc.com

// Louise Nevelson, 1977

// Louise Nevelson, 1977

Louise Nevelson  Untitled, 1958    wood painted black  28 x 13-5/8 x 3-1/4" (71.1 x 34.6 x 8.3 cm)

Louise Nevelson Untitled, 1958 wood painted black 28 x 13-5/8 x 3-1/4" (71.1 x 34.6 x 8.3 cm)

I could look at  her work every day.                                   (above: Louise Nevelson, Dawn's Wedding Chapel IV, from Dawn's Wedding Feast, 1959-60, painted wood, 109 x 87 x 13 _ inches. Courtesy PaceWildenstein, New York. © Estate of Louise Nevelson / Artists Rights Society (ARS), New York.)

I could look at her work every day. (above: Louise Nevelson, Dawn's Wedding Chapel IV, from Dawn's Wedding Feast, 1959-60, painted wood, 109 x 87 x 13 _ inches. Courtesy PaceWildenstein, New York. © Estate of Louise Nevelson / Artists Rights Society (ARS), New York.)

Louise Nevelson // White Vertical Water 1972

Louise Nevelson // White Vertical Water 1972

Louise Nevelson, Royal Tide 1 (1960). Photo: courtesy Storm King Art Center.

Louise Nevelson, Royal Tide 1 (1960). Photo: courtesy Storm King Art Center.

Louise Nevelson’s wooden sculptures resemble jigsaw puzzles because as an artist, she doesn’t seem to fit anywhere.

Louise Nevelson’s wooden sculptures resemble jigsaw puzzles because as an artist, she doesn’t seem to fit anywhere.

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