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Cartier-Bresson: A master's black-and-white world

This image taken by Henri Cartier Bresson captures line from the left hand corner leading the eyes down the stairs to the movement by the person on the bike.

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Henri Cartier-Bresson - Mercado do Bolhão, Porto, Portugal.

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History In Pictures on

chivalry / 1960. EXCUSE ME??? I WOULD NOT JUMP OVER A PUDDLE IN HIGH HEELS! HE CAN PICK ME UP AND CARRY ME! NOW THAT WOULD BE CHIVALROUS!

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Henri Cartier-Bresson (from the Photofocus series 'Photographers you should know')

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Bavaria. Aschaffenburg. West Germany, 1962. by Henri Cartier-Bresson

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Henri Cartier-Bresson #photography #kids

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photo by Henri Cartier-Bresson, Paris, 1951 Used a 50mm lense on Leica French photographer whose humane, spontaneous photographs helped establish photojournalism as an art form.

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Henri Cartier-Bresson - Painting the Eiffel Tower, 1953 - Howard Greenberg Gallery -- china.org.cn

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10 Things Henri Cartier-Bresson Can Teach You About Street Photography

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Images For > Henri Cartier Bresson Self Portrait

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Henri Cartier-Bresson I like the effect the net has on the picture by making it a focus point

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Henri Cartier-Bresson - Makes your eye move around the picture - Tokyo 1965 The clash of cultures - Japanese faces in western garb against the American movie poster backdrop... the public poster affection and the real life lack of warmth and relationship...

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Queen Charlotte's Ball by Henri Cartier-Bresson. London, 1959

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Dessau, Germany, 1945 © Henri Cartier-Bresson/Magnum Photos, courtesy Fondation Henri Cartier-Bresson. Henri Cartier-Bresson - Henri Cartier-Bresson: 70 Year Retrospective | LensCulture

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Henri Cartier-Bresson, Harlem

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Emotional Photography by Henri Cartier Bresson

Love, love, love this photo. Henri Cartier-Bresson. Paris, 1960s.

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Richard Avedon - Photographies 1946

Henri Cartier Bresson woman with umbrella (and dangerously-heeled shoes to make that leap!)

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Henri Cartier - Bresson / Cartier-Bresson and Levitt: Modern Masters, Old Friends - The New York Sun

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Henri Cartier-Bresson

Da un'intervista a H. C-B: "Ho scattato questa [foto] attraverso le inferriate, vi ho infilato la camera attraverso [...] Ecco perché è un po' sfocata. Lo spazio fra assi era tale che solo l'obiettivo ci passava in mezzo. Non potevo a vedere nulla attraverso il visore. - "Non poteva vedere l'uomo saltare?" - "no." - "è stata fortuna." - "E 'sempre fortuna." Parigi. Gare Montparnasse. L'uomo che salta è Raymond Quenue.

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Henri Cartier-Bresson - Roma, 1959

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