Henri cartier bresson

Henri Cartier-Bresson (from the Photofocus series 'Photographers you should know')

Henri Cartier-Bresson (from the Photofocus series 'Photographers you should know')

The great Henri Cartier Bresson photographed this through a tiny crevice not being able to see through the viewfinder. That is pure luck.

Reflections

The great Henri Cartier Bresson photographed this through a tiny crevice not being able to see through the viewfinder. That is pure luck.

Henri Cartier-Bresson - Mercado do Bolhão, Porto, Portugal.

Henri Cartier-Bresson - Mercado do Bolhão, Porto, Portugal.

This image taken by Henri Cartier Bresson captures line from the left hand corner leading the eyes down the stairs to the movement by the person on the bike.

Cartier-Bresson: A master's black-and-white world

This image taken by Henri Cartier Bresson captures line from the left hand corner leading the eyes down the stairs to the movement by the person on the bike.

Cartier-Bresson, Aschaffenburg, Bayern, West Germany, 1962.

Cartier-Bresson, Aschaffenburg, Bayern, West Germany, 1962.

Sidewalk Café, Boulevard Diderot, París (by Henri Cartier-Bresson, 1969)

Sidewalk Café, Boulevard Diderot, París (by Henri Cartier-Bresson, 1969)

Henri Cartier Bressons - Cat Ulysses and Martine's shadow - 1988

Henri Cartier Bressons - Cat Ulysses and Martine's shadow - 1988

10 Things Henri Cartier-Bresson Can Teach You About Street Photography

10 Things Henri Cartier-Bresson Can Teach You About Street Photography

Henri Cartier-Bresson    Roma, 1959 #photography #black and white #classic

Henri Cartier-Bresson Roma, 1959 #photography #black and white #classic

1960s in Paris, the mini skirt had arrived - not to everyones approval. Inspiration for our Monochrome Twist shoot in the June 16 issue.

Emotional Photography by Henri Cartier Bresson

1960s in Paris, the mini skirt had arrived - not to everyones approval. Inspiration for our Monochrome Twist shoot in the June 16 issue.

Henri Cartier-Bresson.  The hand on the face with the arm as a leading line, seems to be a favorite technique.  RG.

Henri Cartier-Bresson. The hand on the face with the arm as a leading line, seems to be a favorite technique. RG.

Queen Charlotte's Ball by Henri Cartier-Bresson, London 1959 ░▒▓ lσvє ▓▒░ ♥ #bluedivagal, bluedivadesigns.wordpress.com

Queen Charlotte's Ball by Henri Cartier-Bresson, London 1959 ░▒▓ lσvє ▓▒░ ♥ #bluedivagal, bluedivadesigns.wordpress.com

Henri Cartier-Bresson - Painting the Eiffel Tower, 1953 - Howard Greenberg Gallery -- china.org.cn

Henri Cartier-Bresson - Painting the Eiffel Tower, 1953 - Howard Greenberg Gallery -- china.org.cn

Henri Cartier-Bresson - Makes your eye move around the picture - Tokyo 1965 The clash of cultures - Japanese faces in western garb against the American movie poster backdrop... the public poster affection and the real life lack of warmth and relationship...

Henri Cartier-Bresson - Makes your eye move around the picture - Tokyo 1965 The clash of cultures - Japanese faces in western garb against the American movie poster backdrop... the public poster affection and the real life lack of warmth and relationship...

I think this is a good photographer because he used what was going on around him to create a shot. He used leading lines, and the emotion captured on the subject's face is spectacular.

Henri Cartier-Bresson: 'The Eye of the Century'

I think this is a good photographer because he used what was going on around him to create a shot. He used leading lines, and the emotion captured on the subject's face is spectacular.

Henri Cartier Bresson black and white photography. nice use of lines

Henri Cartier Bresson black and white photography. nice use of lines

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